VIJAYA HOMES FOR ELDERS
A Subsidiary of Sathya Sadhana Foundation

Sridevi Bhudevi Sahitha Sri Prasanna Venkateshwara Swamy & Shiva Panchayatana Uma Skhanda Swamy Temple
UPCOMING EVENT - FEBRUARY 4th 2014
1) First Anniversary of the temple is being held on Feb 4th. Homam, Abhishekam and various pujas are being planned from 8 am in the morning till 2 pm in the afternoon at the temple premises
2) Vijaya Homes for Elders is ready for occupancy
CLICK HERE FOR TEMPLE TOUR


SHIVA PANCHAYATANA UMA SKHANDA SWAMY TEMPLE
Siva Lingam
Linga in the main sanctum is a Bana linga, a Svayambhu Linga found in the bed of the Narmada river in Madhya Pradesh. Bana Lingas are very sacred as they contain the very form and energy of Lord Shiva similar to Jyothir Lingas. They are naturally powerful and hold the essence of divinity within them.
The Narmada Bana Lingam’s upright egg shape represents the Pure Consciousness of Lord Shiva and the Holy Markings on the Sacred Stone (which differ greatly from stone to stone) represent the interactive aspect of Goddess Shakti. Together, they represent the Union of the Supreme Male and Supreme Female Energies - Shiva and Shakti: Shiva Sakthi, the Wholeness and Oneness. It should also be understood that the Narmada Shiva Lingam represents the Divine Blending of Knowledge (Shiva) and Wisdom (Shakthi). The Sacred Shiva Lingam is widely considered to be the “Form of the Formless”. According to Vedic Texts, the Narmada Shiva Lingas illustrate Harmony through Duality and represent Power, Creation and the Physical Plane or Grounding of those who have these Divine Energy Tools.
The Siddhanta Sekhara revealed that the Bana Lingas have already been worshiped by deities and contain the impress of their worship visible in the marks on the Lingas. This rendered Bana Lingas as Daiva lingas and hence these Bana Lingas are considered extremely superior compared to other Lingas.
Linga in the main sanctum has a Lotus mark (Padmam) indicating Brahma’s mark.
Somaskanda Murthi
Somaskanda is a particular form of representation of Shiva with Uma, and Skanda as a child. The representation shows Shiva with four arms and Uma, and between them the infant Skanda is shown as dancing with ecstasy.
There have been many interpretations regarding the Somāskandamūrti aspect of Śiva. The representation of Kumaraswamy in between Śiva and Umā is mainly intended to emphasize the importance of the child in family life.
Another view is that the three figures represent sat, chit and ānanda. Further it is also viewed that the figures Śiva, Umā and Skanda represent lccha-śakti, kriya-śakti and jñāna-śakti respectively (Vaithyalingam 1980: 90). Again Śiva in the company of Umā and Skanda symbolizes universal parentage (Nagaswamy, 1983: 100). The couple is extolled as the Father and Mother of the World (jagata pitarau) by Kalidasa in Kumārasambhavam. Lastly, Somāskandamūrti may be viewed as emphasising the worship of Skanda, who is the enbodiment of Śiva and Umā combined.
Panchayatanam Murthies (Shiva, Vishnu, Devi, Surya and Ganesha)
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